Hello everyone, how are you doing?
Today, to conclude our special exhibition commemorating the 100th anniversary of his birth, the Rokuro Nakamura H Collection,
I would like to introduce a flat sake bottle (henko tokkuri) with magnificent kiln-transmutation glazes.
Our previous theme focused on "ha" (breaking) from the concept of "shu-ha-ri,"
and this piece captures that budding stage before the master truly blossomed into his own unique state of mind in his later years.
The form is close to the traditional flat sake bottles of the Kaneshige school, starting with Toyo Kaneshige.
However, it features masterful, unique touches, such as its plump, rounded swelling and a balance that leans toward a diamond shape.
There are distinct linear patterns carved into the shoulder.
This feels very fresh, as such line patterns are omitted in his later flat bottle designs.
Here is a photo from the side.
It employs Rokuro Nakamura's original balance, which differs from the wide, oval shapes typical of the Kaneshige school.
The rich ash-covered kiln effect contrasting with the vivid scarlet colors is stunning.
This brings our 100th-anniversary special exhibition to a close. What did you think?
Flat sake bottles from before this piece had a wider, more oval shape.
This one has spread slightly into a diamond shape,
and I feel it marks the beginning of the evolution toward that signature flat form Rokuro Nakamura is known for.
Rokuro Nakamura changed his style significantly throughout his life,
and by comparing these pieces, I was able to rediscover a variety of differences.
He was never content with resting on his laurels and was surely a man who constantly strived for more.
Because of that, the passion embedded in his works has not cooled even now that he has passed,
and I feel that is why he continues to captivate so many people.
I am filled with nothing but awe for the master’s tireless efforts,
while at the same time being struck by his profound love for sake.