No. 4561
Bizen Hidamari
¥100,000
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Description
This is a Bizen "Hidamari" (sunny spot) piece by Hikaru Shimamura, an artist who inherits the long-standing tradition of Bizen sculpted ceramics with a unique sensibility and creativity. It depicts a cat relaxing in a sunny spot with a truly refined and stylish touch, showcasing the unconventional style characteristic of Shimamura, a leader in the world of Bizen sculpture. While many today prioritize the firing process in Bizen ware, this work returns to the origins of the craft, placing the molding foremost. It is evident that the firing was executed with meticulous care to preserve the innocent cuteness of the cat, ensuring the natural "Goma" (sesame) glaze does not overpower the form but complements it. Similarly, the clay texture is harmonized by using a reddish clay base with a gentle, gradual color shift to ensure it does not distract from the intricate craftsmanship. The bell on the cat's collar is a functional clay bell, demonstrating exceptional attention to detail.
Signed wooden box (Shiho-san)
Width 15.3cm x Depth 15.9cm x Height to bell 5.9cm Hikaru Shimamura was born in Osafune, Okayama Prefecture, in 1942. After graduating from the Naniwa College painting department, he began pottery as a self-taught artist. He creates sculpted pieces using both hand-building and mold-casting techniques. His designs often feature familiar subjects such as cats, sparrows, climbing kilns, and pine firewood. He built an anagama kiln in Osafune and became independent in 1978. In 1992, he built a climbing kiln in the Kugui area. He has held solo exhibitions in Tokyo, Okayama, and New York. In 2013, he was certified as a holder of the Bizen pottery production technique designated as an intangible cultural property by Bizen City.
Width 15.3cm x Depth 15.9cm x Height to bell 5.9cm Hikaru Shimamura was born in Osafune, Okayama Prefecture, in 1942. After graduating from the Naniwa College painting department, he began pottery as a self-taught artist. He creates sculpted pieces using both hand-building and mold-casting techniques. His designs often feature familiar subjects such as cats, sparrows, climbing kilns, and pine firewood. He built an anagama kiln in Osafune and became independent in 1978. In 1992, he built a climbing kiln in the Kugui area. He has held solo exhibitions in Tokyo, Okayama, and New York. In 2013, he was certified as a holder of the Bizen pottery production technique designated as an intangible cultural property by Bizen City.
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