Bizen Hikidashiguro Guinomi

This is a newly fired Bizen *hikidashi-guro* (pulled-out black) sake cup by Living National Treasure Jun Isezaki, an artist who continues to lead the world of Bizen ware with an inexhaustible creative power. Crafted using the *hikidashi* technique for which the Isezaki school is renowned, this piece is exceptionally rare, as only a few such *hikidashi-guro* works can be obtained from a single firing. Due to the pulling-out process, the *goma* (ash glaze) has shifted into a soft, pale yellow, and in harmony with this, the black surface has attained a deep, clear hue reminiscent of obsidian, allowing one to enjoy the unique, translucent aesthetic of *hikidashi-guro*. In some areas, the cobalt blue characteristic of black-fired works has emerged, appearing even clearer and more delicate as a result of the pulling process. While most Bizen ware evokes images of intense flames and hot winds, *hikidashi-guro* alone feels as delicate as glass and as gentle as falling rain. The impressed patterns around the waist are accentuated by the shading of the black finish, appearing as if they are emerging from within the ink itself. Signed wooden box (shiho-zan) with lid
Diameter 6.8cm × 6.5cm × Height 7.3cm Jun Isezaki was born as the second son of Yozan Isezaki, a master of ceramic craft. He learned pottery from a young age and began his career in ceramics after graduating from the Special Art Course at Okayama University in 1959. His works span a wide range, from traditional pieces such as flower vases, plates, and tea utensils to sculptural objects and ceramic murals. In his creative process, he emphasizes both forming and firing, utilizing the unique characteristics of his materials and kilns (anagama, climbing kilns, and electric kilns) to produce work imbued with a modern sensibility. He is also a leading relief artist and has presented numerous works in this field. He became a full member of the Japan Kōgei Association in 1966 and served as a special art instructor at Okayama University for nine years starting in 1978. In 1998, he and his brother, Mitsuru, were jointly designated as Preservers of Okayama Prefecture Important Intangible Cultural Properties, and in the same year, he began serving as the Secretary General of the Chugoku Branch of the Japan Kōgei Association. In July 2004, he was designated as a Holder of Important Intangible Cultural Property (Living National Treasure).
Awards: Recipient of the Kaneshige Toyo Award, Okayama Prefecture Cultural Encouragement Award, Sanyo Shimbun Award, Excellence Award at the Chanoyu Modeling Exhibition, and many others. Served as a juror for prefectural exhibitions.