No. 6767
Bizen long plate
¥7,700
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Description
He inherits the skills and spirit of Sozan Kaneshige.
The simple, unadorned design highlights the beauty of Bizen clay.
He believes that a piece is only completed in the hands of the user.
The two fire patterns of Goma and Hidaski are difficult to produce beautifully at the same time.
He succeeded by controlling the temperature and devising the placement of the work within the kiln.
He was born in Hyogo Prefecture in 1970.
He became a disciple of Sozan Kaneshige in 1989.
After the death of Sozan Kaneshige, he became a disciple of Yuhou Kaneshige.
He became independent as a ceramic artist in 1996.
The simple, unadorned design highlights the beauty of Bizen clay.
He believes that a piece is only completed in the hands of the user.
The two fire patterns of Goma and Hidaski are difficult to produce beautifully at the same time.
He succeeded by controlling the temperature and devising the placement of the work within the kiln.
He was born in Hyogo Prefecture in 1970.
He became a disciple of Sozan Kaneshige in 1989.
After the death of Sozan Kaneshige, he became a disciple of Yuhou Kaneshige.
He became independent as a ceramic artist in 1996.
Details
- Pottery Type
- Tableware
- Dimensions
- W36.3cm x D13.2cm x H1.3cm
About the Artist
He was born in Hyogo Prefecture in 1970.
He became a disciple of Sozan Kaneshige since 1989.
After the death of Sozan Kaneshige, he became a disciple of Yuhou Kaneshige.
He became independent as a ceramic artist in 1996.
He became a disciple of Sozan Kaneshige since 1989.
After the death of Sozan Kaneshige, he became a disciple of Yuhou Kaneshige.
He became independent as a ceramic artist in 1996.
