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No. 7727
Bizen Guinomi
¥44,000
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Description
Jun Isezaki is a Living National Treasure in the field of Bizen ware. (The fifth person to receive this designation for Bizen ware)
He fires his works using a single-chambered kiln known as an "anagama."
The flames of the anagama kiln rush directly into the back of the kiln in a single stroke.
This is a rare Hirahai-style guinomi (sake cup) created by Jun Isezaki around 2015, produced in very limited quantities.
The interior of the vessel is adorned with a vivid and dynamic landscape, characteristic of anagama firing.
Fired slowly in a semi-underground anagama, this piece showcases signature Bizen elements such as goma (ash glazing), hidasuki (fire-cord markings), and rich red clay tones—hallmarks of Isezaki-style Bizen ware.
The surface primarily displays the clean, white clay color typical of anagama works, beautifully contrasted with bold, flying goma ash effects and intricate hidasuki patterns running across the piece.
Though simple in form, the depth of its texture and color invites endless appreciation.
The foot of the piece features a wide, boldly carved base with a low profile, deliberately chosen to suit the Hirahai shape and lend it a grounded, powerful presence.
This work has been carefully preserved by a collector since its original purchase and remains in unused, pristine condition.
Jun Isezaki (1936–2026) was born in Imbe, Bizen City, Okayama Prefecture, as the second son of Yozan Isezaki, a Bizen ware artist renowned for his skill in decorative and sculptural works.
He learned ceramic techniques from his father from an early age. After graduating from the Special Art Course in the Faculty of Education at Okayama University in 1959, he began pursuing pottery in earnest.
In 1962, together with his elder brother Mitsuru Isezaki, he reconstructed a medieval semi-underground anagama kiln and successfully fired it.
In addition to traditional vessels such as flower vases, plates, and tea wares, he worked extensively on highly sculptural creations, including ceramic walls, reliefs, and objects.
Isezaki placed particular importance on forming and firing. By making full use of the distinctive characteristics of anagama kilns, climbing kilns, and electric kilns, he established a unique style infused with a contemporary sensibility.
He was also a leading artist in the creation of ceramic walls and reliefs in Bizen ware and produced numerous works, particularly for public facilities.
In 1966, he became a full member of the Japan Kōgei Association. From 1978 to 1987, he served as a lecturer in the Special Art Course of the Faculty of Education at Okayama University.
In 1998, together with his elder brother Mitsuru Isezaki, he was designated a Holder of an Important Intangible Cultural Property by Okayama Prefecture. In the same year, he was appointed a director of the Japan Kōgei Association and secretary-general of its Chugoku Branch.
In 2002, he created a ceramic wall for the new Prime Minister’s Official Residence.
In 2004, he became the fifth Bizen ware artist to be designated a national Holder of an Important Intangible Cultural Property, commonly known as a Living National Treasure.
In 2025, he was selected as a Person of Cultural Merit.
Jun Isezaki passed away in 2026.
Major awards and honors include the Kaneshige Toyo Award, the Excellence Award at the Chanoyu no Zokeiten, the Okayama Prefecture Cultural Encouragement Award, the Sanyo Shimbun Cultural Merit Award, the Okayama Prefecture Miki Memorial Award, the Okayama Prefecture Culture Award, and recognition as a Person of Cultural Merit.
He fires his works using a single-chambered kiln known as an "anagama."
The flames of the anagama kiln rush directly into the back of the kiln in a single stroke.
This is a rare Hirahai-style guinomi (sake cup) created by Jun Isezaki around 2015, produced in very limited quantities.
The interior of the vessel is adorned with a vivid and dynamic landscape, characteristic of anagama firing.
Fired slowly in a semi-underground anagama, this piece showcases signature Bizen elements such as goma (ash glazing), hidasuki (fire-cord markings), and rich red clay tones—hallmarks of Isezaki-style Bizen ware.
The surface primarily displays the clean, white clay color typical of anagama works, beautifully contrasted with bold, flying goma ash effects and intricate hidasuki patterns running across the piece.
Though simple in form, the depth of its texture and color invites endless appreciation.
The foot of the piece features a wide, boldly carved base with a low profile, deliberately chosen to suit the Hirahai shape and lend it a grounded, powerful presence.
This work has been carefully preserved by a collector since its original purchase and remains in unused, pristine condition.
Jun Isezaki (1936–2026) was born in Imbe, Bizen City, Okayama Prefecture, as the second son of Yozan Isezaki, a Bizen ware artist renowned for his skill in decorative and sculptural works.
He learned ceramic techniques from his father from an early age. After graduating from the Special Art Course in the Faculty of Education at Okayama University in 1959, he began pursuing pottery in earnest.
In 1962, together with his elder brother Mitsuru Isezaki, he reconstructed a medieval semi-underground anagama kiln and successfully fired it.
In addition to traditional vessels such as flower vases, plates, and tea wares, he worked extensively on highly sculptural creations, including ceramic walls, reliefs, and objects.
Isezaki placed particular importance on forming and firing. By making full use of the distinctive characteristics of anagama kilns, climbing kilns, and electric kilns, he established a unique style infused with a contemporary sensibility.
He was also a leading artist in the creation of ceramic walls and reliefs in Bizen ware and produced numerous works, particularly for public facilities.
In 1966, he became a full member of the Japan Kōgei Association. From 1978 to 1987, he served as a lecturer in the Special Art Course of the Faculty of Education at Okayama University.
In 1998, together with his elder brother Mitsuru Isezaki, he was designated a Holder of an Important Intangible Cultural Property by Okayama Prefecture. In the same year, he was appointed a director of the Japan Kōgei Association and secretary-general of its Chugoku Branch.
In 2002, he created a ceramic wall for the new Prime Minister’s Official Residence.
In 2004, he became the fifth Bizen ware artist to be designated a national Holder of an Important Intangible Cultural Property, commonly known as a Living National Treasure.
In 2025, he was selected as a Person of Cultural Merit.
Jun Isezaki passed away in 2026.
Major awards and honors include the Kaneshige Toyo Award, the Excellence Award at the Chanoyu no Zokeiten, the Okayama Prefecture Cultural Encouragement Award, the Sanyo Shimbun Cultural Merit Award, the Okayama Prefecture Miki Memorial Award, the Okayama Prefecture Culture Award, and recognition as a Person of Cultural Merit.
Details
- Pottery Type
- guinomi
- Dimensions
- W10.3cm x D10.0cm x H3.1cm
About the Artist
Jun Isezaki (1936–2026) was born in Imbe, Bizen City, Okayama Prefecture, as the second son of Yozan Isezaki, a Bizen ware artist known for his skill in decorative and sculptural works.
He learned ceramic techniques from his father from an early age. After graduating from the Special Art Course in the Faculty of Education at Okayama University in 1959, he began pursuing pottery in earnest.
In 1962, together with his elder brother Mitsuru Isezaki, he reconstructed a medieval semi-underground anagama kiln and successfully fired it.
In addition to traditional vessels such as flower vessels, plates, and tea wares, he worked extensively on highly sculptural creations, including ceramic walls, reliefs, and objects.
Isezaki placed particular importance on forming and firing. By making full use of the distinctive characteristics of anagama kilns, climbing kilns, and electric kilns, he established a unique style filled with a contemporary sensibility.
He was also a leading artist in the creation of ceramic walls and reliefs in Bizen ware and produced numerous works, particularly for public facilities.
In 1966, he became a full member of the Japan Kōgei Association. From 1978 to 1987, he served as a lecturer in the Special Art Course of the Faculty of Education at Okayama University.
In 1998, together with his elder brother Mitsuru Isezaki, he was designated a Holder of an Important Intangible Cultural Property by Okayama Prefecture. In the same year, he was appointed a director of the Japan Kōgei Association and secretary-general of its Chugoku Branch.
In 2002, he created a ceramic wall for the new Prime Minister’s Official Residence.
In 2004, he became the fifth Bizen ware artist to be designated a national Holder of an Important Intangible Cultural Property, commonly known as a Living National Treasure.
In 2025, he was selected as a Person of Cultural Merit.
Jun Isezaki passed away in 2026.
Major awards and honors include the Kaneshige Toyo Award, the Excellence Award at the Chanoyu no Zokeiten, the Okayama Prefecture Cultural Encouragement Award, the Sanyo Shimbun Cultural Merit Award, the Okayama Prefecture Miki Memorial Award, the Okayama Prefecture Culture Award, and recognition as a Person of Cultural Merit.
He learned ceramic techniques from his father from an early age. After graduating from the Special Art Course in the Faculty of Education at Okayama University in 1959, he began pursuing pottery in earnest.
In 1962, together with his elder brother Mitsuru Isezaki, he reconstructed a medieval semi-underground anagama kiln and successfully fired it.
In addition to traditional vessels such as flower vessels, plates, and tea wares, he worked extensively on highly sculptural creations, including ceramic walls, reliefs, and objects.
Isezaki placed particular importance on forming and firing. By making full use of the distinctive characteristics of anagama kilns, climbing kilns, and electric kilns, he established a unique style filled with a contemporary sensibility.
He was also a leading artist in the creation of ceramic walls and reliefs in Bizen ware and produced numerous works, particularly for public facilities.
In 1966, he became a full member of the Japan Kōgei Association. From 1978 to 1987, he served as a lecturer in the Special Art Course of the Faculty of Education at Okayama University.
In 1998, together with his elder brother Mitsuru Isezaki, he was designated a Holder of an Important Intangible Cultural Property by Okayama Prefecture. In the same year, he was appointed a director of the Japan Kōgei Association and secretary-general of its Chugoku Branch.
In 2002, he created a ceramic wall for the new Prime Minister’s Official Residence.
In 2004, he became the fifth Bizen ware artist to be designated a national Holder of an Important Intangible Cultural Property, commonly known as a Living National Treasure.
In 2025, he was selected as a Person of Cultural Merit.
Jun Isezaki passed away in 2026.
Major awards and honors include the Kaneshige Toyo Award, the Excellence Award at the Chanoyu no Zokeiten, the Okayama Prefecture Cultural Encouragement Award, the Sanyo Shimbun Cultural Merit Award, the Okayama Prefecture Miki Memorial Award, the Okayama Prefecture Culture Award, and recognition as a Person of Cultural Merit.