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No. 7759
Bizen Yohen Guinomi
¥9,900
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Description
He inherits the skills and spirit of Sozan Kaneshige.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that a work is completed in the hands of the user.
This Guinomi was fired about 15 years ago.
True to the fearless firing style of Yoshiteru Takariki—known for drawing out the full expressive power of the clay through bold risk-taking—
this piece shows a firing that clearly prioritizes yaki (flame effects) over the clay itself, resulting in a stunning and dramatic finish.
The piece beautifully balances ash glaze reminiscent of solidified magma with a sweet, fruit-like scarlet clay color.
It is a delight not only to look at and use, but also to watch as it matures over time.
Inside the vessel, a rich scarlet tone spreads across the surface, enhancing the visual pleasure of sake presentation.
At the same time, small stones within the clay and areas of weathered Kase-Goma kiln effects add a rustic, aged character to the overall impression.
He was born in Hyogo Prefecture in 1970.
He became a disciple of Sozan Kaneshige in 1989.
After the death of Sozan Kaneshige, he became a disciple of Yuhou Kaneshige.
He became independent as a ceramic artist in 1996.
The simple and undecorated design highlights the beauty of Bizen clay.
He believes that a work is completed in the hands of the user.
This Guinomi was fired about 15 years ago.
True to the fearless firing style of Yoshiteru Takariki—known for drawing out the full expressive power of the clay through bold risk-taking—
this piece shows a firing that clearly prioritizes yaki (flame effects) over the clay itself, resulting in a stunning and dramatic finish.
The piece beautifully balances ash glaze reminiscent of solidified magma with a sweet, fruit-like scarlet clay color.
It is a delight not only to look at and use, but also to watch as it matures over time.
Inside the vessel, a rich scarlet tone spreads across the surface, enhancing the visual pleasure of sake presentation.
At the same time, small stones within the clay and areas of weathered Kase-Goma kiln effects add a rustic, aged character to the overall impression.
He was born in Hyogo Prefecture in 1970.
He became a disciple of Sozan Kaneshige in 1989.
After the death of Sozan Kaneshige, he became a disciple of Yuhou Kaneshige.
He became independent as a ceramic artist in 1996.
Details
- Pottery Type
- guinomi
- Dimensions
- W6.5cm × D6.5cm × H6.2cm
About the Artist
He was born in Hyogo Prefecture in 1970.
He became a disciple of Sozan Kaneshige since 1989.
After the death of Sozan Kaneshige, he became a disciple of Yuhou Kaneshige.
He became independent as a ceramic artist in 1996.
He became a disciple of Sozan Kaneshige since 1989.
After the death of Sozan Kaneshige, he became a disciple of Yuhou Kaneshige.
He became independent as a ceramic artist in 1996.