Bizen Tokkuri

Born into Kaneshige Rito-en, one of the six traditional kiln families of Bizen ware, Mitsuhiro Kaneshige nevertheless creates without relying on the prestige of his family name, following his own curiosity and spirit of exploration. This is a Bizen Tokkuri by the artist.

By combining firings in an electric kiln and a wood-fired kiln under a variety of conditions, Kaneshige seeks to approach the rich surface textures found in the antique ceramics he admires.

The Tokkuri is distinguished by the substantial surface created through multiple firings, together with its deeply developed Kigoma and Sangiri effects. It successfully recreates the rich dark-brown coloring and thoroughly fired clay character associated with Ko-Bizen ware.

One particularly fascinating feature of this work is the presence of two distinct types of sheen across its surface. Areas with a restrained sparkle, as though individual grains of clay were glimmering, coexist with extremely matte sections that reflect only the faintest trace of light.

Kaneshige’s control of the kiln effects, made possible through repeated firings, is equally remarkable. Fine thread-like Goma markings created by straw scattered across the shoulder, finely textured Kigoma resembling a light spray, and the characteristic Sangiri effect around the lower body are all arranged in a carefully balanced composition.

Despite its powerful firing, the surface is remarkably smooth, while the neck is shaped for a comfortable and secure grip. The result is a thoroughly considered design that reflects Kaneshige’s extensive study and collection of ceramics from many different traditions.

Mitsuhiro Kaneshige was born in 1988 in Imbe, Bizen City, into Kaneshige Ritouen, one of the six kiln families of Bizen.

He entered the Bizen Ceramic Art Center in 2017 and held his first kiln firing in 2020.

In 2023, he received the Shubi Prize at the Chanoyu no Zokeiten, and in 2024, he held his first solo exhibition.