No. 1861
Bizen Hidasuki Sake Bottle
¥28,000
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Description
This is a Bizen Hidasuki tokkuri (sake bottle) by Mamoru Taku, an artist who has conducted extensive research into Old Bizen and stands out for his unique, profound aesthetic. Beyond the vivid Hidasuki (fire-cord) markings, the clay possesses a unique whiteness—neither truly white nor yellow—that creates a magnificent, indescribable hue. It carries a weathered, sophisticated quality that evokes the white pottery Japanese people have admired since ancient times. The coil-built form gives it a rustic, wabi-sabi appearance that is not overly refined, resulting in a work of profound depth and charm.
Original signed box (shiho-san style)
Rim 3.2cm x Body diameter 9.2cm x Body diameter 8.8cm x Height 13.0cm; Capacity 380cc Mamoru Taku graduated from the Faculty of Mechanical Engineering at Kyushu Sangyo University in 1984, but, captivated by the world of traditional crafts, he decided to enter the world of Bizen ware. After learning the fundamentals at the Bizen Pottery Center, he apprenticed under Takaaki Kimura to hone his skills. In 1983, he built his own climbing kiln in Saeki-cho and became an independent artist. In 1998, he moved his studio to Takebe-cho, where he constructed a semi-underground anagama kiln. Focusing on the theme of expressing the raw character of clay, he creates large jars, sake vessels, and vases using the coil-building technique. He also works with "Ibe-de" (a technique where a slip is applied to the clay body before firing) and is dedicated to achieving a perfect harmony between the clay, the firing process, and the form. His work has been selected for exhibitions such as the Japan Traditional Kogei Exhibition, the China International Ceramics Exhibition, and the Asahi Ceramic Art Exhibition.
Rim 3.2cm x Body diameter 9.2cm x Body diameter 8.8cm x Height 13.0cm; Capacity 380cc Mamoru Taku graduated from the Faculty of Mechanical Engineering at Kyushu Sangyo University in 1984, but, captivated by the world of traditional crafts, he decided to enter the world of Bizen ware. After learning the fundamentals at the Bizen Pottery Center, he apprenticed under Takaaki Kimura to hone his skills. In 1983, he built his own climbing kiln in Saeki-cho and became an independent artist. In 1998, he moved his studio to Takebe-cho, where he constructed a semi-underground anagama kiln. Focusing on the theme of expressing the raw character of clay, he creates large jars, sake vessels, and vases using the coil-building technique. He also works with "Ibe-de" (a technique where a slip is applied to the clay body before firing) and is dedicated to achieving a perfect harmony between the clay, the firing process, and the form. His work has been selected for exhibitions such as the Japan Traditional Kogei Exhibition, the China International Ceramics Exhibition, and the Asahi Ceramic Art Exhibition.
Details
- Pottery Type
- Sake bottle
