1 / 11
No. 6330
Bizen Guinomi
¥600,000
Loading reference prices...
These are approximate reference prices. The actual billing amount may vary depending on the exchange rate.
Description
I believe this yunomi was made around 1960, based on the shape of the Toyo mark.
This guinomi is made from fine clay with low iron content.
The clay color is complex, ranging from reddish-purple to brown and light orange.
It features a firing pattern known as kasegoma, which has a texture and color reminiscent of a plant's epidermis.
The shape of the body is asymmetrical, giving it a rhythmic impression, as if it were dancing.
The design of the koudai (foot) is very sharp and precise, providing a striking contrast to the body.
I believe this transition between relaxation and tension is characteristic of Toyo Kaneshige's work.
An appraisal by his third son, potter Kousuke Kanesige, is included.
Toyo Kaneshige (1896–1967) was born in Imbe, Bizen City, as the eldest son of Baiyo Kaneshige, the head of a kiln belonging to a branch of the Kaneshige family, one of the six traditional Bizen ware kiln families.
He began making pottery under his father’s guidance and gained recognition for his hand-built hohin teapots.
From the Taisho period through the early Showa period, Kaneshige devoted himself to researching kiln loading, firing methods, traditional clay preparation, and other aspects of Bizen ware. In 1930, he succeeded in recreating the distinctive clay character of Momoyama-period Bizen ware. From around 1932, he began producing wheel-thrown pieces and also dedicated significant effort to creating tea ceremony wares.
He formed close friendships with Handeishi Kawakita, Toyozo Arakawa, and Kyusetsu Miwa. After World War II, he was also influenced by Rosanjin Kitaoji and Isamu Noguchi, which further broadened the scope of his artistic expression.
Kaneshige brought new vitality to Bizen ware, which had declined from the Edo period through the Meiji era. In recognition of this achievement, he is often referred to as the “father of the revival of Bizen ware.”
In 1954, he was designated a Holder of an Important Intangible Cultural Property by Okayama Prefecture. In 1956, he became the first Bizen ware artist to be designated a national Holder of an Important Intangible Cultural Property, commonly known as a Living National Treasure.
In 1964 and 1966, he was invited to serve as an instructor for the University of Hawaii Summer Session.
In 1967, when Emperor Showa and Empress Kojun visited Bizen, Kaneshige provided a pottery-making demonstration in their presence.
Toyo Kaneshige passed away in 1967.
Major awards and honors include the Chugoku Culture Award, the Sanyo Shimbun Award, the Okayama Prefecture Culture Award, the Medal with Purple Ribbon, and the Order of the Rising Sun, Gold Rays with Rosette.
This guinomi is made from fine clay with low iron content.
The clay color is complex, ranging from reddish-purple to brown and light orange.
It features a firing pattern known as kasegoma, which has a texture and color reminiscent of a plant's epidermis.
The shape of the body is asymmetrical, giving it a rhythmic impression, as if it were dancing.
The design of the koudai (foot) is very sharp and precise, providing a striking contrast to the body.
I believe this transition between relaxation and tension is characteristic of Toyo Kaneshige's work.
An appraisal by his third son, potter Kousuke Kanesige, is included.
Toyo Kaneshige (1896–1967) was born in Imbe, Bizen City, as the eldest son of Baiyo Kaneshige, the head of a kiln belonging to a branch of the Kaneshige family, one of the six traditional Bizen ware kiln families.
He began making pottery under his father’s guidance and gained recognition for his hand-built hohin teapots.
From the Taisho period through the early Showa period, Kaneshige devoted himself to researching kiln loading, firing methods, traditional clay preparation, and other aspects of Bizen ware. In 1930, he succeeded in recreating the distinctive clay character of Momoyama-period Bizen ware. From around 1932, he began producing wheel-thrown pieces and also dedicated significant effort to creating tea ceremony wares.
He formed close friendships with Handeishi Kawakita, Toyozo Arakawa, and Kyusetsu Miwa. After World War II, he was also influenced by Rosanjin Kitaoji and Isamu Noguchi, which further broadened the scope of his artistic expression.
Kaneshige brought new vitality to Bizen ware, which had declined from the Edo period through the Meiji era. In recognition of this achievement, he is often referred to as the “father of the revival of Bizen ware.”
In 1954, he was designated a Holder of an Important Intangible Cultural Property by Okayama Prefecture. In 1956, he became the first Bizen ware artist to be designated a national Holder of an Important Intangible Cultural Property, commonly known as a Living National Treasure.
In 1964 and 1966, he was invited to serve as an instructor for the University of Hawaii Summer Session.
In 1967, when Emperor Showa and Empress Kojun visited Bizen, Kaneshige provided a pottery-making demonstration in their presence.
Toyo Kaneshige passed away in 1967.
Major awards and honors include the Chugoku Culture Award, the Sanyo Shimbun Award, the Okayama Prefecture Culture Award, the Medal with Purple Ribbon, and the Order of the Rising Sun, Gold Rays with Rosette.
Details
- Pottery Type
- guinomi
- Dimensions
- W6.5cm × D6.3cm × H5.3cm
About the Artist
Toyo Kaneshige (1896–1967) was born in Imbe, Bizen City, as the eldest son of Baiyo Kaneshige, the head of a kiln belonging to a branch of the Kaneshige family, one of the six traditional kiln families of Bizen ware.
He began making pottery under the guidance of his father and gained recognition for his hand-built hohin teapots.
From the Taisho period through the early Showa period, Kaneshige devoted himself to researching kiln loading, firing methods, traditional clay preparation, and other aspects of Bizen ware. In 1930, he succeeded in recreating the distinctive clay character of Momoyama-period Bizen ware. From around 1932, he began producing works on the potter’s wheel and also devoted considerable effort to creating tea wares.
He formed close friendships with Handeishi Kawakita, Toyozo Arakawa, and Kyusetsu Miwa. After World War II, he was also influenced by Rosanjin Kitaoji and Isamu Noguchi, further broadening the scope of his artistic expression.
Kaneshige brought new vitality to Bizen ware, which had declined from the Edo period through the Meiji era. In recognition of this achievement, he is often referred to as the “father of the revival of Bizen ware.”
In 1954, he was designated a Holder of an Important Intangible Cultural Property by Okayama Prefecture. In 1956, he became the first Bizen ware artist to be designated a national Holder of an Important Intangible Cultural Property, commonly known as a Living National Treasure.
In 1964 and 1966, he was invited to serve as an instructor at the University of Hawaii Summer Session.
In 1967, when Emperor Showa and Empress Kojun visited Bizen, Kaneshige gave a pottery-making demonstration in their presence.
Toyo Kaneshige passed away in 1967.
Major awards and honors include the Chugoku Culture Award, the Sanyo Shimbun Award, the Okayama Prefecture Culture Award, the Medal with Purple Ribbon, and the Order of the Rising Sun, Gold Rays with Rosette.
He began making pottery under the guidance of his father and gained recognition for his hand-built hohin teapots.
From the Taisho period through the early Showa period, Kaneshige devoted himself to researching kiln loading, firing methods, traditional clay preparation, and other aspects of Bizen ware. In 1930, he succeeded in recreating the distinctive clay character of Momoyama-period Bizen ware. From around 1932, he began producing works on the potter’s wheel and also devoted considerable effort to creating tea wares.
He formed close friendships with Handeishi Kawakita, Toyozo Arakawa, and Kyusetsu Miwa. After World War II, he was also influenced by Rosanjin Kitaoji and Isamu Noguchi, further broadening the scope of his artistic expression.
Kaneshige brought new vitality to Bizen ware, which had declined from the Edo period through the Meiji era. In recognition of this achievement, he is often referred to as the “father of the revival of Bizen ware.”
In 1954, he was designated a Holder of an Important Intangible Cultural Property by Okayama Prefecture. In 1956, he became the first Bizen ware artist to be designated a national Holder of an Important Intangible Cultural Property, commonly known as a Living National Treasure.
In 1964 and 1966, he was invited to serve as an instructor at the University of Hawaii Summer Session.
In 1967, when Emperor Showa and Empress Kojun visited Bizen, Kaneshige gave a pottery-making demonstration in their presence.
Toyo Kaneshige passed away in 1967.
Major awards and honors include the Chugoku Culture Award, the Sanyo Shimbun Award, the Okayama Prefecture Culture Award, the Medal with Purple Ribbon, and the Order of the Rising Sun, Gold Rays with Rosette.